Lizzo review – like downing a quadruple espresso martini of female self-reliance

Ovo Hydro, Glasgow
The Glasgow-loving US star’s whip-smart extravaganza of glittering sisterhood is an irresistible showcase of hits and positivity with just a hint of pop juggernaut

In a better, kinder, funnier parallel universe where Lizzo’s values are uppermost, every day is International Women’s Day. Or no days are, because there is no need for it. Until we get there, the US singer’s UK tour kicks off on IWD with an all-female band, three female backing vocalists, the Little Bigs, Lizzo’s longtime DJ, Sophia Eris, and the 10-strong Big Grrrls dance troupe, stars of Lizzo’s triple-Emmy-winning reality competition show, Watch Out for the Big Grrrls. Those Emmys put Lizzo halfway to EGOT status – ie bagging an Emmy, a Grammy (current tally: four), an Oscar and a Tony. Among many bravura performances on the stage tonight, one stands out. At just 19, guitarist Jordan Waters plays a kind of Steve Lacy role – a wunderkind who can muster plangent, taut, Prince-like funk lines, but never lapses into the kind of florid rock solos that have become endemic at pop gigs.

We know we are in Glasgow because Lizzo revels in shouting it – “GlasGOH!” she hollers, often – and twice starts a chant of “here we, here we fucking go”. Arena divas seem to act as though every city is their favourite, but Lizzo’s love for Glasgow, like her love of many things, seems genuine. Reports in the Scottish press suggest she sent complimentary tickets for tonight’s gig to the staff of famed Glasgow micro-venue Nice’n’Sleazy, in recognition of a great time she’d had there years back.

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